Kamis, 10 Februari 2011

PDF Ebook Practices of Looking: An Introduction to Visual Culture

PDF Ebook Practices of Looking: An Introduction to Visual Culture

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Practices of Looking: An Introduction to Visual Culture

Practices of Looking: An Introduction to Visual Culture


Practices of Looking: An Introduction to Visual Culture


PDF Ebook Practices of Looking: An Introduction to Visual Culture

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Practices of Looking: An Introduction to Visual Culture

Review

This is a great book and I think it will be very useful to those teaching visual communication (and visual culture) courses. Professor Sandra Moriarty, Journalism and Mass Communication, University of ColoradoThis volume is a comprehensive and compelling introduction to the wide range body of critical thought that is now being combined under the banner of visual culture. Nick Mirzoeff, Department of Art, SUNY at Stony BrookThis strikes me as an excellent book. It is one of those rare texts that is extremely clear, introductory but not pedestrian; it flows so easily that is seems like it must have been a pleasure for the authors to write. Professor Amelia Jones, Department of Art History, University ofCalifornia, Riverside`Overall, Practices of Looking is a superb text for both beginning and advanced students in visual culture and communications related coursesThe text is both easily understood and engaging to the reader, and presented in a manner that allows for thorough absorbtion of most topics.'Joel Davies, Creighton University

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About the Author

Marita Sturken is Associate Professor at the University of Southern California, teaching cultural studies, popular culture, and issues of technology and culture. She previously worked as a critic in independent film and video, and is the author of; Tangled Memories: The Vietnam War, the AIDS Epidemic and the Politics of Remembering, University of California Press (1997) and Thelma and Louise, British Film Institute Modern Classics Series (2000). Lisa Cartwright is Associate Professor at the University of Rochester, and Director of the Susan B. Institute for Gender and Women's Studies. She is the author of Screening the Body: Tracing Medicine's Visual Culture and co-editor of The Visible Woman: Imaging Technologies, Gender and Science

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Product details

Paperback: 385 pages

Publisher: Oxford University Press; 1st edition (February 1, 2001)

Language: English

ISBN-10: 0198742711

ISBN-13: 978-0198742715

Product Dimensions:

9.7 x 0.8 x 6.8 inches

Shipping Weight: 1.5 pounds

Average Customer Review:

3.9 out of 5 stars

79 customer reviews

Amazon Best Sellers Rank:

#463,165 in Books (See Top 100 in Books)

This is by far the best introductory text on visual culture I have personally come across. I strongly disagree with some previous reviewers that say the writing is "pompous" or "needlessly complex"; I am by no means an expert on the subject and I found the writing to be extremely comprehensive and even generous when it comes to explanations. The authors seem to make a great effort to be understood and a lot of really complex concepts are presented in a surprisingly and refreshing clear manner. I also disagree with a previous review that claimed that technical terms are frequently unexplained (I, in fact, think quite the opposite). Maybe the complaints about it being "unnecessarily long" could be somewhat justified if you consider that illustrating the concepts through concrete examples is "unnecessary". I think that the examples (although I admit I sometimes skimmed through them) present the rich context of visual culture and even make the text quite pleasant and colorful. That, in my opinion, is really something to be thankful for when it comes to "academic" texts.That said, I have some complaints about the quality-price ratio of the actual materiality of the book itself. I initially borrowed the first edition from my university library (where they gave it a hardcover treatment for durability) and read it almost completely through. As I already said, I thought it was great (and wanted to read the new sections added on the second edition) so I decided to buy it regardless of the surprisingly high $80 price tag. I was quite disappointed when it arrived. The paper is not too great, the typography is not the best for reading and the cover is made from a flimsy and thin "plastified" paper (I also think the design of the cover itself is awful -5 minute random cut and paste-, but you can see that from the product photo and I guess its irrelevant). Besides this, I find the format too big (it is exactly A4!). Thus, the book ends up being one of those "squiggly" books that feel like a wet fish when you have it in your hands. I admit this is not so serious, but for $80 bucks I was expecting something better made...In conclusion: content-wise the book is top notch; materially-wise it leaves a lot to be desired. It is extremely useful and it is no doubt a work of great scholarship. However, its not one of those books you enjoy having in your hands or in your bookshelf (and it will undoubtedly hurt your wallet).

we had to read this for my course and i LOVED IT, very informational and very eye opening. If you want to learn about the visual world of our society and culture then this is the perfect book

When I was looking for a textbook for my visual sociology class I went through several highly academic and rather deadly boring books. Then I came across this one. While it is not exactly what I wanted, it does cover about 90% of the needs for this class. Chapters are set in a logical order and take into account political, commercial as well as sociological and cultural aspects of "looking at" photos, sculptures, paintings, TV and films. All of this is combined with an historical frame. The terminology is well defined and placed into context with understandable examples. The photos and paintings, propaganda material and TV adds are valuable and relevant to the what is covered in the text. It is a readable text but there is one drawback....the authors beat the proverbial dead house when it comes to discussion. Like many academics, including some of my own colleagues, they like to hear themselves talk and, in this case, being read. I am more the..make your point and move on type. So while the book could probably be better edited, it is nonetheless a most valuable source in the practice of looking.

It's ok. It is alittle too dense for most readers. and for anyone with a visual comm or art/design background most if the info is not new.

This book is part of a course I am taking. You never know what book will impact you forever. This one did that for me. It was interesting reading and demanded that you think about the world and how constructs are created all around you without you ever giving it a thought.

Okay book. Kind of dry. But it was for a class

as discribed

The book came to me bent in half with a fair amount of pages rolled up and pleated to a point where it was unreadable. I bought this for my class and it was a lot of money so I am pretty upset tbh

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Practices of Looking: An Introduction to Visual Culture PDF
Practices of Looking: An Introduction to Visual Culture PDF

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